Richard Sloat
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New York City Prints
green border left 4th of July

4th of July


Etching, 2003
12 x 9 in.
Edition: 70

The view from our apartment
on Independence Day

Collection Syracuse University,
Syracuse, NY

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green border left Bridge, Boats, Brooklyn

Bridge, Boats, Brooklyn


Etching, 1976
24 x 18 in.
Edition: 100

Won top print award in 1986
at the National Academy of
Design annual show. In the
collections of: Equitable Life,
Boston Public Library, Museum
of the City of New York.
See New York Times review.
green border right
green border left Dumbo Dynamo

Dumbo Dynamo


Etching, 2005
12 x 8 in.
Edition: 70

Won a prize at "Prints U.S.A. 2005",
Springfield Art Museum, MO

See Artcritical.com review,
April 2005
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green border left East Broadway Boogie

East Broadway Boogie


Etching, 1977, 1980,
2002, 2009
24 x 18 in.
Edition: 90
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green border left Subway Winds

Subway Winds


Etching, 1999–2003
5 x 7 in.

Shown at the New York
Historical Society,"Around
Town Underground," 2004;
Collection National Gallery
of Art, Washington, D.C.
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green border left Inner City

Passover in the City


Etching, 1974, 2018
18 x 24 in.
green border right
green border left Inner City

Inner City


Etching, 1974
18 x 24 in.
Edition: 75

The artist's first city print. In the
collection of The Museum of The
City of New York. Shown at The
National Academy Museum, 1988.
green border right
green border left Starry Night, Brooklyn Bridge

Starry Night,
Brooklyn Bridge


Etching
18 x 24 in.
Edition: 70

Winner of the Jack Richeson
Gold Brush Award,
Audubon Artists Exhibition
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green border left Dumbo Duet

Dumbo Duet


Etching, 2005
24 x 15 in.
Edition: 70
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green border left Eve Awakening

Eve Awakening


Aquatint, 1999
5 13/16 x 6 9/16 in.
Edition: 70

Editioned for the Society
of American Graphic Artists
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green border left Downtown Moves

Downtown Moves


Etching, 1993-2005
24 x 15 in.
Edition: 90

Imaginative scene of
East Broadway

Collection of the 9/11 Memorial Museum
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green border left East Windy Night

East Windy Night


Etching & aquatint, 1995
23 5/8 x 14 3/4 in.
Edition: 90

View from my window.

In the Silvermine "1996 National
Print Biennial"; the Print Club
of Albany National Print Show;
received the Reba and Dave
Williams Purchase prize; won
an award at the 54th Annual
Audubon Artist Exhibition.
Collection of the National Gallery
of Art, Washington, D.C.
green border right
green border left El Passing

El Passing


Etching, 1997
12 x 18 in.
State V, edition 25

A complete line etching state
of the finished aquatint etching
"Twilight El" (see below).
green border right
green border left Twilight El

Twilight El


Etching & aquatint, 1997
12 x 17 3/4 in.
Edition: 90

In "3rd Egyptian International
Print Trienniale"; in the collection
of the Giza Museum, Egypt; in "23rd
National Print Biennial", Silvermine
Guild, CT; Collection of The Amity
Foundation, CT; in "59th Annual
Exhibition Audubon Artists; won
John Taylor Arms Award.
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green border left Evening Tide

Evening Tide


Etching, 1993
24 x 15 in.

Collection of the
British Museum
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green border left Rising Sun

Rising Sun


Etching, 1977
24 x 18
Edition: 90

A scene on Henry Street looking west.
Shown at The New York Historical Society
2005, National Academy Museum 1999.

Reproduced in "Impressions
of New York" by Marilyn Symmes, 2005.

Illustration in "Short History of New York,"
3rd edition by Joanne Reitano. In the
collections of the Library of Congress
and 9/11 Memorial Museum, New York.
green border right
green border left Night City

Night City


Etching, 1976
18 x 24 in.

Exhibited at the National Academy
Museum, 1994, received the
Leo Meissner Prize

Collection of the British Museum, London.
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green border left Pedestrian Crossings

Pedestrian Crossings


Etching, 1993-94
15 x 21 in.
Edition: 90

A Scene from the 59th St. Bridge.
Shown at Roopankar Museum
of Fine Art, India, 1995.
In the collection of the
British Museum, London.
green border right
green border left Census

Census


Etching w/aquatint, 2001
12 x 24 in.
Edition: 70

"A joyful imagination pervades his etching
Census... I see it as an ode to relation,
to the happy co-existence and mutual
enhancement of the many, many people
who in this mythical metropolis literally
become the very fabric of the city."
—Dale Laurin,Journal
of the Print World
, Vol. 31, No. 3
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green border left New York, New York

New York, New York


Woodcut, 1977
14 x 9 in.
Edition: 50

Imaginative scene of midtown
Manhattan. In the collections of:
The British Museum, Davison
Art Center, University Art
Museum (Arizona) and
Mississippi Museum of Art.
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green border left Not So Flat Iron

Not So Flat Iron


Linocut, 1996
16 3/4 x 12 1/2 in.
Edition: 50

See New York Times
review, May 2002

Collection of the New York
Historical Society, NYC
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